Tim Eriksen •
Northern Roots Music
Tim Eriksen is "widely regarded as the
best ballad singer of his generation" (BBC
Radio). He combines hair-raising vocals with savvy arrangements for fiddle,
banjo, guitar and bajo sexto, transforming American tradition with a "northern
roots" Americana sound that embraces old New England murder ballads, “shape-note” gospel
and haunted originals alongside Southern Appalachian and Irish songs. Tim's
latest solo album Northern Roots Live in Namest (Indies Scope 2009) celebrates
the power of this music in concert. Considered "among the world's finest folk practitioners" (Toronto
Star) for his expertise in traditional song, Tim is also known for his own
compositions - “strange and original works” (NetRhythmsUK) with
a “rare sense of purpose” (Q Magazine) that have been included
in films like the Billy Bob Thornton vehicle Chrystal and the upcoming feature
documentary Behold the Earth. Eriksen's other notable work has included extensive
contributions to Anthony Minghella’s 2004 Oscar-winning film Cold
Mountain as well as collaborations ranging from hardcore punk and Bosnian pop to symphony
orchestra and the 2009 Grammy-nominated album Across the Divide with Afro-Cuban
world-jazz phenomenon Omar Sosa.
The erstwhile frontman of the prophetic groups Cordelia's
Dad ("folk-noise"),
Northampton Harmony (shape-note quartet) and Zabe i Babe (Bosnian folk and
pop), Tim Eriksen is the only musician to have shared the stage with both
Kurt Cobain and Doc Watson (not to mention Jack White and Ralph Stanley),
and his media appearances have ranged from Prairie Home Companion to the
Academy Awards. Having graduated from early shows at punk mecca CBGB, Tim’s
more recent performances have included his Carnegie Hall debut as a soloist
in Evan Chambers' symphonic work "The Old Burying Ground" and two
week-long stints at the Blue Note Jazz Club with Omar Sosa. In the studio,
he has worked with producers including Joe Boyd, T-Bone Burnett and Steve
Albini.
www.timeriksenmusic.com
Gadelle • Music
and Dance of Prince Edward Island
Gadelle is a four member, all woman, traditional French-Acadian
band that includes former internationally acclaimed Barachois members, Helene
Bergeron and Louise Arsenault. Gadelle is an old Acadian word which translates
as “wild berries” and also has a connotation of a feisty female.
This new group's performance is delivered with a stylistic essence and the
stagecraft that Barachois was well known for. All hailing from Prince Edward
Island on Canada's east coast, the four members of the group are: Helene
Bergeron - vocals, piano, pump organ, fiddle, foot percussion and step dancing;
Louise Arsenault - fiddle, harmonica, foot percussion, step-dancing; Caroline
Bernard- primary vocalist, piano, pump organ, accordion and guitar; Anastasia
DesRoches - fiddle, bass, octave mandolin and step-dancing.
Gadelle members play and dance with ferocity and conviction while putting
on one heck of a show.
www.gadelle.com
Kim
& Reggie Harris • Empowering
Songs
Kim and Reggie Harris are two vibrant, superbly talented and engaging performers
whose captivating stage presence has inspired audiences around the world
for over 25 years.
As singers, songwriters, storytellers, educators, historical interpreters
and cultural advocates, they have used their remarkable voices and their
unique talents to bring new insights to the entertainment and educational
spectrum.
Born in Philadelphia, PA. a city rich in musical and
cultural heritage, Kim and Reggie were both exposed to a wide range of
composers and musical
genres. Their training, nurtured in their individual homes and enhanced in
their churches and schools, enriched their musical vocabulary. It was the
start of what has evolved into the " Bach to Rock" musical approach
(with the strongest elements being Folk, Gospel and Jazz) that is so prevalent
in their music.
They met, by chance, at a summer camp in 1974. While attending Temple University
they honed their performance skills in the clubs and coffeehouses around
Philadelphia.
In 1980, Kim and Reggie "hit the road" touring
universities, art centers, schools and other concert venues. Their strong
material (both original
and otherwise) and complex harmonies, combined with their stunning voices
and informed stage patter, has won them accolades and fans that has them
in constant demand. They average over 275 performances each year.
They have been featured in performance at the Kennedy Center, The Smithsonian
Institute, The International Children's Festival in Canada, The Wang Center,
The Pike's Peak Center, various festivals in the U.S, Canada and Italy and
a host of universities, schools, churches and performing venues.
They have proven themselves to be exceptional people who can entertain audiences
of all ages and backgrounds. They continue to distinguish themselves as artists
of integrity who show respect for their craft and their audiences by working
to expand their skills and build on their knowledge base.
www.kimandreggie.com
Billy
Jonas • Percussionist,
Singer/Songwriter
A Billy Jonas performance is an explosion
of energy. In singalongs, bangalongs, whisperalongs, as well as improvised
songs, his primary instrument
is the audience. Everyone becomes part of a performance that reaches out
and ". . . touches even the most hardened of hearts." (Fayetteville
Morning News)
Concerts begin with a simple "tuning" of the audience; from there
a whimsical trajectory carries listeners through stories of life, love, and
triumph over 'Murphy's Law.' Jonas' original pieces are played on fanciful "industrial
re-percussion" instruments made from found objects. He sings in a clear
tenor voice; his guitar work is adventurous, alternately percussive and lyrical.
Jonas' heartwarming work has been enjoyed across North
America since 1987. Previously a member of the highly acclaimed duo, "The Billys," he
has been featured at prestigious festivals and venues nationwide (see selected
venues). Jonas has shared stages with some of the world's favorite acoustic
artists, including Patti Larkin, Ani DiFranco, David Wilcox, Richard Thompson,
and Pete Seeger.
Jonas' latest CD, "Get Real," for adult/general audiences, is
his studio follow-up to "Life So Far". From matters of the heart,
to geo-political intrigue, "Get Real" invites the listener to climb
into a "percussion-rich" universe full of sonic exploration and
emotional adventurousness. "Get Real" is filled with homemade and
recycled object instruments, as well as a host of more traditional sounding
instruments (guitar, bass, Middle Eastern & African percussion), and
LOTS of voices!
Jonas' CD "Life So Far," sparkles with unique
perspectives and found sounds. Songs filled with hope, yearning, wonder,
and wisdom include
special guests David Wilcox, Glen Velez, Robert Moog (on Theramin), and Zimbabwe's
Black Umfolosi voice and percussion choir.
In addition to his work with adult/general audiences,
Jonas has generated an enthusiastic following for his family show. His
CD "What Kind of
Cat are You?!" caters to this audience, and received multiple awards
including a First Place/Gold from AFIM (American Federation of Independent
Musicians), and a Parent's Choice Gold.
www.billyjonas.com
James
Keelaghan • Singer/Songwriter
Called Canada’s finest singer-songwriter by one of the
most respected music journalists of the last 50 years, James Keelaghan is
an artist who has proven to be a man for all seasons.
As the calendar pages have turned, for almost a quarter of a century now,
this poet laureate of the folk and roots music world has gone about his work
with a combination of passion, curiosity intent and intensity.
His masterful story telling has, over the course of nine recordings, been
part of the bedrock of his success, earning Keelaghan nominations and awards
- including a Juno (Canada's Grammy) - and acclaim from Australia to Scandinavia.
Possessed of an insatiable appetite for finding the next unique story line,
Keelaghan forges his pieces with brilliant craftsmanship and monogrammed
artistic vision, making him one of the most distinctive and readily identifiable
voices on both the Canadian and international singer-songwriter scenes.
His journey has attracted fans of literate and layered songwriting to join
him on his artistic expeditions, some of which weave their way through marvelously
etched historical stories with underlying universal themes, others of which
mine the depths of the soul and the emotional trails of human relations.
His songbook has enlightened, enthralled, and been embraced, by audiences
around the world.
"
I’ve always had the urge to write," says the Calgary native who
has been calling Winnipeg home for the past few years. "Some things
weren’t being said in the way I wanted to say them, some thing were
not being written about at all. That's why i started to write the historical
material. That led me to writing my own personal narratives as well.” .
Keelaghan is a disciplined visionary with several aces up his sleeve. He
loves language and history, a subject in which he earned a degree; he is
a skilled thespian, which explains his ability to make an immediate connection
with a live audience; and he has an ear for memorable melodies and harmonies
that make those melodies glisten.
http://web.me.com/jameskeelo/Keeloweb/KEELOWEB.html
Paul
McKenna Band • trad. music of Scotland
& Ireland
“A
band with the potential to dominate the Scottish/Irish traditional scene
for
the next twenty years and be spoken about in the same breath as Boys
Of The Lough.” -Fatea Magazine Combining their love for traditional and folk music as well
as original songs and tunes the Paul McKenna Band have been playing to audiences
throughout the UK since 2006. With a contemporary approach to songs, although
not straying too far from their roots, their arrangements are both fresh
and innovative. Their exciting sound is created through
outstanding vocals, driving Guitar and Bouzouki, intense Fiddle playing,
a warm pairing
of Flute and Whistles
and dynamic Bodhrán and percussion.
PAUL MCKENNA
Paul is an outstanding singer and multi-instrumentalist from Glasgow.
His own music draws from the rich traditions of Scottish and
Irish music and blends it with modern rock and contemporary songwriting.
DAVID MCNEE
David is an exciting talent from Glasgow, Scotland. A multi-instrumentalist,
he favours a contemporary approach but uses traditional instruments
such as mandolin and bouzouki to achieve a modern robust sound.
RUAIRIDH MACMILLAN
Originally from Nairn in the Scottish Highlands, fiddler Ruairidh
Macmillan is quickly making a name for himself in the world of
Scottish Traditional music. He was taught by the legendary
Aonghas Grant Sr., and just graduated from the Royal Scottish
Academy of Music and Drama in 2008.
SEÁN GRAY
Throughout his early teens Seán
with his Sister Robyn played at various clubs and festivals throughout
Scotland. Hhe studied
flute with Dougie Pincock and Guitar with Jack Evans. Over the years
Seán has played along side many major acts such as Dick Gaughan,
Back of the Moon, Jim Malcolm, Andy Irvine and many more.
EWAN BAIRD
Ewan comes from a family long involved in the folk scene. Ewan took
up the bodhrán only three years ago and in that time has
developed a unique style of playing to a standard which is both
impressive and the envy of many players.
Moscow
Nights • traditional
music of Russia
Moscow Nights is an exciting, versatile ensemble of
world-recognized, prize-winning musicians from Russia. They have
already established themselves as one of the fastest rising folk
groups in the United States. These classically trained artists first
took Western Europe by storm and now have brought their dazzling,
toe-tapping music to North America.
Led by Vitaliy Bezrodnov on Bayan Accordion,
the group was initially formed under his direction in Kaluga, Russia
in the late 1980’s
where Mr. Bezrodnov attended Kaluga Music Conservatory. After completing
his conservatory studies, he successfully reorganized the group in
the United States in 1996.
The music of Moscow Nights is predominantly
authentic, traditional Russian folk music. During his conservatory
years, Mr. Bezrodnov
spent considerable time traveling deep into the Russian countryside,
interviewing the eldest members of each village in an effort to preserve
and resurrect pre-revolution Russian culture. Their current program
incorporates obscure folk instruments such as percussion “Treshotki” and
birch-bark whistles. Thus, Moscow Nights is able to bring to audiences
a unique program of a culture that had almost lost its original identity.
Moscow Nights’ concerts offer audiences an entertaining glimpse
into Old Russia through music, song, and dance. This helps bridge
a three-quarter century of isolation between our countries. The dazzling,
toe-tapping program is broad and varied with something to appeal
to everyone – from youngest to oldest and everyone in between.
www.russianfolk.com
Tennessee
Mafia Jug Band • rib-tickling
old-time tunes
From the pastoral hills, hollers, shopping malls and interstate highways
of Goodlettsville Tennessee, home of Bill Monroe, Bashful Brother
Oswald, Stringbean, Grandpa Jones, Keith Whitley and some living
country music performers, comes the most entertaining "blast
from the past" since Lester Moran and the Cadillac Cowboys.
They’re the Tennessee Mafia Jug Band -- five guys
and a scrubboard, with roots like wisdom teeth.
The Tennessee Mafia Jug Band have shamelessly
stolen a feature of the old Roy Acuff Show -- a bit known as "Pap & the Jug
Band". There’s only so many graveyard numbers or raunchy
love songs that even the most rabid country audience can sit through
without some kind of relief. This frolicking fivesome brightens up
the stage with rib-tickling old time tunes. Even better, they have
an utter lack of self-consciousness (and some might say any sense
of decorum). The Tennessee Mafia Jug Band not only know the music,
they wear the costumes, tell corny jokes and even do slapstick gags
that throw a cable-tv-numbed audience into hysterics.
"Lonesome" Lester Armistead is a shy and retiring retired
printer now raising grandchildren on his farm in the Luton‘s
District of middle Tennessee. He rarely speaks above a whisper until
he uncorks his jug, gets a whiff of greasepaint and footlights, and
releases his Force Five tenor voice in song. Lester also picks a
mean banjo.
As Roy Rogers was to the Sons of the Pioneers,
so Leroy Troy - "The
Tennessee Slicker" is to the Tennessee Mafia Jug Band. Leroy
has the "star power", having performed his astounding old
time banjo act since the 1980’s at the Knoxville World’s
Fair, in the cast of "Hee Haw", on many recordings, on
the high seas, at concerts and festivals all over this country and
lately even in Ireland.
David "Ferg" Ferguson plays a mean bass
fiddle and sings powerful country songs in his deep baritone. He’s
spent much of his life as an engineer in Nashville recording studio
helping to capture some of the greatest country music ever cut.
The tall, handsome young man providing most
of the actual music with his fiddle is the sophisticated (he was
born in Pennsylvania)
Dan Kelly. Dan won hundreds of fiddle contests and was a six-state
champion. In 1983 Dan took home the big prize when he won the coveted
Grand Masters Fiddle championship in Nashville against REAL competition.
Guitarist Mike Armistead
(Lester's son) shares lead singing duties with Leroy. Like his dad,
Mike has a taste for strong tenor singing and loves the repertoire
of Bashful Brother Oswald
and Ira Louvin.
The Tennessee Mafia Jug Band have been
on the Grand Ole Opry stage over a dozen times, and in spite of
their wild antics, they get invited back!
www.tennesseemafiajugband.com
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