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Songs, music and poetry are woven
into a narrative illuminating the past, present and future
of life in the Adirondacks.
Cast members raised in the Adirondacks share personal stories
of their ancestry, with strong harmony singing, participatory
choruses and thrilling solo work, which make this concert both
unusual and memorable. The folk-theater production in two acts
was conceived by Old Songs, Inc. Director Andy Spence.
The Cast:
Dan Berggren has been collecting, writing
and singing folk music of the Adirondacks for the past 30
years. He grew up
in the Minerva, NY area on land farmed by his mother’s
family and worked in the woods on a forest ranger’s crew
and a survey crew. Hearing stories and songs from local friends
and neighbors, Dan has developed a style which captures the
spirit of the mountains.
Peggy Lynn, singer, songwriter, author and arts educator,
possesses a sultry, yet powerful, alto voice. In her work and
music, Peggy brings to light the important role women have
played in shaping the history of the Adirondacks.
Joseph Bruchac, author and storyteller has family roots in
the Abenaki peoples and was raised and still lives in the Adirondack
foothills. Much of his writing draws on that land and his Abenaki
ancestry. He has authored more than 70 books for adults and
children. As a professional teller of the traditional tales
of the Adirondacks and the Native peoples of the Northeastern
Woodlands, Joe has performed widely in Europe and throughout
the United States.
John Kirk, versatile instrumentalist and
singer of Irish descent makes his home with Trish Miller
in the foothills of the Adirondacks.
Together they work full time as musicians playing music and
singing in concerts, festivals, and schools. Both are dance
callers. Highlights of their performances include John’s
fiddling and Trish’s dynamic clog dancing.
George Ward, a lifelong collector and performer of traditional
songs draws on the rural singing tradition of the American
Northeast for his main inspiration. Ancient ballads migrant
in the New World, songs of the rural home and hearth, songs
of the lumber woods, the rivers and canals are central to his
repertoire.
George Wilson, talented multi-instrumentalist
whose interest in French-Canadian tunes and songs has brought
them to the
forefront of contra dance music. His family roots are in the
area around Dublin, NY where members of his family farmed.
George’s fiddling and banjo playing are the best example
of traditional music in the Northeast.
Bill Spence, often credited with bringing
the hammered dulcimer into popularity in the Northeast in
the 70’s, has performed
at concerts, festivals and contra dances with Fennig’s
All-Stars (George Wilson & Toby Stover) for over 35 years.
His first recording, “The Hammered Dulcimer” championed
the instrument as a strong melody and ensemble instrument,
at a time when hardly anyone had heard of it, and it has sold
over 10,000 copies.
Toby Stover, pianist extraordinaire. Toby
works with Fennig’s
as a dance musician, and the Vanaver Caravan as dancer and
musician. A long time veteran of music and theater arts Toby
has been a working musician for 30 years. She has arranged
the overture for The Visitors featuring piano, fiddle and banjo.
The Producer/Director
Andy Spence, entrepreneur
and organizer in the Capital District since 1970, Andy has
dedicated herself
to keeping folk and
traditional music alive as a participatory and entertainment
event. Founding member of the Pick’n and Sing’n
Gather’n, and Old Songs, Inc. Andy’s producing
and directing credits include Woody Guthrie’s California
To The New York Island (1969), A Tribute to Songwriter Malvina
Reynolds (1972), An Evening At the English Music Hall (1974),
The Old Songs Festival of Traditional Music and Dance (since
1981) and The American Conscience: Folk Songs of the 1960’s
(2004).
This
event is made possible with public funds from the New York State
Council on the Arts, a State Agency.
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